Moon Knight was composer Hesham Nazih’s first full English language project. The pressure of working for one of the biggest movie studios in the world aside, he effortlessly created an aesthetic that paid homage to Egyptian culture and breathed new life into a genre. Speaking with FilmSpeak in an exclusive interview, Nazih explains the process of putting together his Emmy-nominated score.
Read MoreCinematographer Andrew Droz Palermo breaks down his work in Marvel’s Moon Knight, and discusses whether or not he’ll return for some future MCU projects.
Read MoreAuthor Sean O’Connell discusses his new book, Release the Snyder Cut: The Crazy True Story Behind the Fight That Saved Zack Snyder’s Justice League.
Read MoreEmma Caulfield, who is a part of Disney Plus’ massive Wandavision describes working on a Marvel set as “massive.”
”It's [a] living, breathing organism. It's just this mammoth. I'm trying to think of a word big enough that would encompass the size and magnitude of Marvel, but I can't really come up with anything. I need a poet”.
