Andrew Grush and Taylor Newton of The Newton Brothers are mostly known for collaborating with director Mike Flanagan in films and television series like Gerald’s Game, Doctor Sleep, and, most recently, The Fall of the House of Usher. In an exclusive chat with FilmSpeak, the composer duo talks about their x-cellent work on ‘X-Men ‘97’.
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FilmSpeak gets an exclusive chat with cinematographer Eric Steelberg about his collaboration with director Gil Kenan on ‘Ghostbusters: Frozen Empire’.
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FilmSpeak chats to cinematographer Jess Hall about working on the first two episodes of Apple TV+’s ‘Monarch: Legacy of Monsters’ and setting the tone for the Monsterverse on the small screen.
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Filmspeak talks to composer Anthony Willis about his creation of a sonic atmosphere surrounding Emerald Fennell’s ‘Saltburn’.
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FilmSpeak sat down to speak with editor Victoria Boydell about ‘Saltburn’ - discussing her collaboration with director Emerald Fennell and creating the film’s tense atmosphere.
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FilmSpeak gets to speak exclusively to ‘Extraction 2’ co-composer Alex Belcher on his collaboration with Henry Jackman in crafting the score of the highly-anticipated sequel to 2020’s ‘Extraction’.
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Showrunner Lee Sung Jin along with leads Steven Yeun and Ali Wong sat down for a virtual press conference where they spill the beans on Netflix’s insanely fun upcoming comedy - ‘Beef’.
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Composer Anthony Willis never expected ‘M3gan’ to resonate so much with audiences, even knowing how good the film was. He sat down with FilmSpeak to talk about crafting the darkly funny score for the film.
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According to composer Dabney Morris, Rachel Lambert’s ‘Sometimes I Think About Dying’ is a difficult film to describe. The film focuses on escapist fantasies about what it would be like to be dead, and that macabre sense of existentialism needed a specific process in the score. Morris sits down with FilmSpeak to explain how he did it.
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FilmSpeak sits with with ‘Missing’ composer Julian Scherle to discuss collaborating with directors Nick Johnson and Will Merrick and expanding the world of ‘Searching’.
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FilmSpeak talks to ‘Violent Night’ screenwriters Pat Casey and Josh Miller on creating a new Christmas classic, and reinterpreting the legend of Santa Claus.
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FilmSpeak has an exclusive sits down with ‘Spirited’ cinematographer Kramer Morgenthau on achieving the lifelong dream of shooting a movie musical, and collaborating with director Sean Anders on the film.
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FilmSpeak got the exclusive opportunity to speak to composer Colin Stetson on working with director Mark Mylod and crafting the “essence” and flavor of The Menu.
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In an exclusive interview, FilmSpeak sits down with actors Monica Barbaro and Lewis Pullman who discuss Joseph Kosinski’s approach in directing 2022’s highest-grossing movie, Top Gun: Maverick.
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Composer Natalie Holt talks to FilmSpeak about working on the three biggest current film and TV franchises, and collaborating with Deborah Chow and John Williams on ‘Obi-Wan Kenobi’.
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Composer Ré Olunuga had the huge responsibility of scoring Akin Omotoso’s Rise for Disney+, which tells the true story of how Giannis Antetokounmpo became one of the greatest basketball players to have ever graced an NBA court. Olunuga speaks with FilmSpeak about using the right amount of rhythm as motif to build drama and elevate character for the film.
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Expertly creating rich emotional swings through his music, Downton Abbey fans have come to love Composer John Lunn’s incredible score that amplifies the series’ dramatic tensions throughout the series’ six seasons, and the 2019 feature film. Lunn sat down with FilmSpeak to discuss the process of scoring Downton Abbey: A New Era, and reflects on the TV series as a whole.
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