![‘Emilia Pérez’ Movie Review: An Oscar Contender, This Is Not [Festival du Nouveau Cinéma 2024]](https://images.squarespace-cdn.com/content/v1/5816af52e6f2e15be207b0cd/1729188698015-WVA4NHPPUPOM8ESO6903/MV5BZjc3ZTliNTAtMmY0Mi00MTBiLTg1ODYtY2RhM2ZkNWQ4MmJlXkEyXkFqcGc%40._V1_.jpg)
Jacques Audiard attempts to depict the tragic story of its titular character in ‘Emilia Pérez’, but the narrative/aesthetic results are constantly baffling and, more offensively, deeply transphobic.
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Sebastian Stan transforms into Donald J. Trump through the origin story of one of the most crooked individuals in the history of the United States, in ‘The Apprentice’.
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While 'SUPER/MAN: The Christopher Reeve Story' adopts a fairly conventional presentation and a surface-level exploration of the actor’s life, its inspirational (and tear-inducing) qualities are undeniable.
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George Clooney and Brad Pitt keep the charm and fun moving in Jon Watts’ 'Wolfs', even if the movie itself offers mixed results.
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Megan Park’s sophomore feature, 'My Old Ass', is a comfortable and heartfelt coming-of-age dramedy, even if its beats feel all too familiar.
Read More!['Presence' Review: Soderbergh Goes Ghostly, With Just Enough Gusto [TIFF 2024]](https://images.squarespace-cdn.com/content/v1/5816af52e6f2e15be207b0cd/801cc5a9-bacb-411a-b22e-39b9c9e21339/Screenshot+2024-09-06+at+11.07.29%E2%80%AFAM.png)
Steven Soderbergh's latest experimental film, 'Presence' can’t escape feeling like a technical exercise, but is an entertaining one at that. [TIFF 24]
Read More!['Rez Ball' Review: This Surefire Crowd-Pleaser Charts New Ground in the Sports Genre [TIFF 2024]](https://images.squarespace-cdn.com/content/v1/5816af52e6f2e15be207b0cd/ee89247f-2007-44d5-a62e-5229990a082f/Screenshot+2024-08-30+at+12.00.56%E2%80%AFAM.png)
'Rez Ball' is a high-profile sports film which heightens the genre, finding great spirituality in its authentic connections to character and culture. [TIFF 24]
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Aaron Pierre and Don Johnson fiercely lead the action thriller 'Rebel Ridge', which marks director Jeremy Saulnier’s best film yet.
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While Andra Day, Mo’Nique and Aunjanue Ellis-Taylor deliver terrific performances, director Lee Daniels makes the cardinal mistake of turning the strong family drama of 'The Deliverance' into a run-of-the-mill possession flick and never recovers.
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Has Paul Feig ever made a good movie? This is the central question that comes to mind while watching his latest action/comedy, ‘Jackpot!’ Have any of his productions stood the test of time?
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While ‘Cuckoo’ begins full of promise, it slowly loses steam and becomes a disinteresting grab-bag of infinitely better productions.
Read More![‘Steppenwolf’ Review: Adilkhan Yerzhanov’s Nihilist Misfire [Fantasia 2024]](https://images.squarespace-cdn.com/content/v1/5816af52e6f2e15be207b0cd/1723150085463-9XPBC91SAQ2PBSG0S00V/Steppenwolf_01.png)
While director Adilkhan Yerzhanov nails the center framing in ‘Steppenwolf’, his film is a completely undercooked nihilist nightmare that has nothing to say about the world and characters it presents.
Read More![‘Hunting Daze’ Review: Ricci Gives one of the Year’s Best Performances in Surreal Thriller [Fantasia 2024]](https://images.squarespace-cdn.com/content/v1/5816af52e6f2e15be207b0cd/1723147220305-7XS02F5EDHO66S8GZLYD/Hunting_Daze_01.jpg)
Nahéma Ricci gives another towering lead performance in Annick Blanc’s ‘Hunting Daze’, an often surreal thriller that, while terrifically intriguing, loses itself in its second half.
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Sean Wang’s feature directorial debut, 'Dìdi' (弟弟), is a poignant, often painful coming-of-age tale that anyone can relate to, with a towering lead turn from Izaac Wang.
Read More![‘Infinite Summer’ Review: Miguel Llanso’s Trippy Thriller [Fantasia 2024]](https://images.squarespace-cdn.com/content/v1/5816af52e6f2e15be207b0cd/1723322083977-3HSZ6C0PNP89475FVR7N/Infinite_Summer_01.jpg)
Miguel Llanso tackles artificiality and mindfulness in his latest movie, Infinite Summer, the biggest “B-movie with A ideas” the world has seen in this current era.
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Lily Gladstone continues to prove why they’re one of the best actors working today in ‘Fancy Dance’, a deeply moving and compassionate character drama.
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While ‘The Watchers’ falls apart near its end, its assured direction from Ishana Night Shyamalan showcases a singular talent in the making and a new voice to look out for in genre cinema.
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George Miller doesn’t quite return with a vengeance in ‘Furiosa: A Mad Max Saga’ - rather, he brings a seasoned sense of detail and management. The Mad Max franchise has become well known for an exasperated brand of freneticism and unbridled energy rarely captured in blockbuster action cinema as it stands today, and ‘Furiosa’ remains consistent within that.
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Léa Seydoux and George MacKay give compelling turns in Bertrand Bonello’s ‘The Beast’, a sci-fi picture that ultimately loses itself in its massive ambitions.
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Radu Jude delivers his boldest piece of work yet in ‘Do Not Expect Too Much from the End of the World’, a sharp, black-comedy that defiantly portrays a society destined to consume itself and leave everyone behind.
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