Steven Soderbergh's latest experimental film, 'Presence' can’t escape feeling like a technical exercise, but is an entertaining one at that. [TIFF 24]
Read More'Rez Ball' is a high-profile sports film which heightens the genre, finding great spirituality in its authentic connections to character and culture. [TIFF 24]
Read MoreAaron Pierre and Don Johnson fiercely lead the action thriller 'Rebel Ridge', which marks director Jeremy Saulnier’s best film yet.
Read MoreWhile Andra Day, Mo’Nique and Aunjanue Ellis-Taylor deliver terrific performances, director Lee Daniels makes the cardinal mistake of turning the strong family drama of 'The Deliverance' into a run-of-the-mill possession flick and never recovers.
Read MoreHas Paul Feig ever made a good movie? This is the central question that comes to mind while watching his latest action/comedy, ‘Jackpot!’ Have any of his productions stood the test of time?
Read MoreWhile ‘Cuckoo’ begins full of promise, it slowly loses steam and becomes a disinteresting grab-bag of infinitely better productions.
Read MoreWhile director Adilkhan Yerzhanov nails the center framing in ‘Steppenwolf’, his film is a completely undercooked nihilist nightmare that has nothing to say about the world and characters it presents.
Read MoreNahéma Ricci gives another towering lead performance in Annick Blanc’s ‘Hunting Daze’, an often surreal thriller that, while terrifically intriguing, loses itself in its second half.
Read MoreSean Wang’s feature directorial debut, 'Dìdi' (弟弟), is a poignant, often painful coming-of-age tale that anyone can relate to, with a towering lead turn from Izaac Wang.
Read MoreMiguel Llanso tackles artificiality and mindfulness in his latest movie, Infinite Summer, the biggest “B-movie with A ideas” the world has seen in this current era.
Read MoreLily Gladstone continues to prove why they’re one of the best actors working today in ‘Fancy Dance’, a deeply moving and compassionate character drama.
Read MoreWhile ‘The Watchers’ falls apart near its end, its assured direction from Ishana Night Shyamalan showcases a singular talent in the making and a new voice to look out for in genre cinema.
Read MoreGeorge Miller doesn’t quite return with a vengeance in ‘Furiosa: A Mad Max Saga’ - rather, he brings a seasoned sense of detail and management. The Mad Max franchise has become well known for an exasperated brand of freneticism and unbridled energy rarely captured in blockbuster action cinema as it stands today, and ‘Furiosa’ remains consistent within that.
Read MoreLéa Seydoux and George MacKay give compelling turns in Bertrand Bonello’s ‘The Beast’, a sci-fi picture that ultimately loses itself in its massive ambitions.
Read MoreRadu Jude delivers his boldest piece of work yet in ‘Do Not Expect Too Much from the End of the World’, a sharp, black-comedy that defiantly portrays a society destined to consume itself and leave everyone behind.
Read More‘The King Tide’ will get under your skin by showing the failings of human nature, and how quickly people will exploit, abuse, and conspire in order to preserve the status quo. It is a horrifying thriller which will remain with you long after the end credits have finished rolling.
Read More‘Love Lies Bleeding’ knows exactly what it is doing, even if the audience won’t predict where the story goes. The filmmakers make bold swings, whether through the film’s story, its performances, or its imagery, which creates a film that could only be described as ‘fearless’.
Read More‘Kung Fu Panda 4’ is a great addition to the beloved franchise, providing a balanced mix of entertainment and emotional depth. With the engaging plot and captivating visuals, this movie is an unforgettable journey that will leave the audience in awe.
Read MoreAudiences at last can return to the planet of Arrakis in ‘Dune: Part Two’, a sequel that not only manages to surpass its predecessor in every conceivable way, but cement itself as one of the best sequels ever put to film.
Read More‘Drive-Away Dolls’ if nothing else, is a mindless B movie through and through. That’s not a bad thing in and of itself, but it will surely polarize audiences. Yet, considering that the film was made in the 2020s, is set in the 90s, and boasts a style which evokes the 70s, it achieves a level of kitsch that is rarely reached.
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