Robert Zemeckis teams up with Tom Hanks and AI, but the garish experiment simply becomes non-linear, static and a complete miss. The resulting film is ‘Here’, and it is just as baffling as you think.
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We’ve seen a few recognizable rom-com hits in the last few years, but the genre has undoubtedly taken a dive in both production and popularity since its heyday. Anyone But You, in spite of some worrying habits, turns the corner for the genre, and ends up checking all the boxes.
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Even by Disney’s own standards, ‘Wish’ is often too generic and predictable. For a film billed as a celebration of Disney’s centennial and a love letter to its lore, it only feels a fraction as special as it should.
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Celine Song’s ‘Past Lives’ is anchored by incredible performances from Greta Lee and Teo Yoo, who bring massive amounts of humanity to their respective characters.
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The Baba Yaga has returned yet again in ‘John Wick: Chapter Four’, a sequel that not only manages to surpass its impressive predecessors with effortless flair, but deliver some of the best action ever put on celluloid.
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In addition to being funny and horror done right, Barbarian is extremely smart. Where most horror movies like to put monsters on full display, this film is more interested in exploring where those monsters come from.
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In ‘Finch’, Hanks is stranded again, this time in a dystopia where radiation has killed most of life on earth, with a dog as his best friend. Hanks plays Finch Weinberg, one of the last humans on Earth slowly dying of radiation poisoning. While Finch contains a terrific performance from Tom Hanks and stark cinematography, the movie’s predictable re-tread of survival drama tropes makes it a tiring watch instead of a compelling one.
Read More![‘Earwig’ Review: A Fantastical Horror Story With Nothing To Say [TIFF 2021]](https://images.squarespace-cdn.com/content/v1/5816af52e6f2e15be207b0cd/1631805708681-DCXLYPNROT4J2CAJT5SA/earwig.jpg)
The basis of an interesting short film is there, but not a nearly two-hour film in which characters constantly mope around and do practically nothing to advance the plot or develop its characters and world. As a result, Earwig may very well be the most interminable film of the entire Toronto International Film Festival and one of the most disappointing films of the year.
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“Lost Girls and Love Hotels” perfectly captures the love story that finds you when you need it the most and changes your entire world before leaving you broken. Through a glossy finish, the film shows an upfront & honest look at depression and how some choose to confront that pain.
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